I'm fairly sure that most people have heard the new
Funimation GT theme. As much as we like to love it or hate it or even be indifferent,
there isn't muich we can do. It's NOT DAN DAN. But what are we (the fans) really
looking for? A faithful translation and the original score? Maybe we just want
to hear the Chris Sabat voice reel for the thousandth time. Maybe something new
and fresh is just what GT needs. Maybe this new flavor will breathe new life into
the Dragonball series.
The point here is that how Dragonball, or any
anime in this case, sounds is what makes Dragonball, Dragonball. Cowboy Bebop
is Cowboy Beobp. Trigun is Trigun.
One of the things that seems to bother people
the most, is the way characters are often portrayed by their respective actors.
But what do the voice actors think about when they step in that cramped booth?
"Why do I have to be so over the top?"
"Can't I ever land a serious role?"
"*sighs* At least it pays the bills......."
There are some exceptions, but how many times have you sat down to watch something
new, only to hear a man who's too boyish. or a woman who's voice is perhaps
too nasal? They get paid so little, and they do so much for the fans, and for
themselves. But doesn't anyone ever wonder about the kind of fanmail voice actors
get? The rants of angry otakus, the love letters from crazed stalkers, the heavily
weighted questions from a webmaster from a popular fansite. Does anyone ever
stop to think about what the voice actors think? They have no control over what
happens in the production process, but they seem to take the heat most of the
time. Kyle Hebert comes to mind when discussing this. He runs a great website.
Plus, he has a message board where just anyone can come along and ask him questions.
Sure, most of the questions are harmless.
"Do you play videogames?"
"What kind of ice cream do you like?"
"Can you tell me what you think of my pictures?"
And Kyle, being the nice guy that he is, will answer all of these questions.
He takes time out from his (probably) hectic scheduele to cater to his fans.
He is a great person. I find him to be a great actor as well. But every once
and a while some rabid, chibi-otaku fourteen year-old comes along,
"wHy 1$ DEE bee Zee +3h sU(k0rZ??"
And of course he gets flamed out of his arse, and banned. But why?
Because the sound made him do it.
Does anyone remember getting their first taste of DBZ? For me, it was a really
bad fansub. Sure the video was all jumpy. And sometimes the audio cracked and
poped. But it was Dragonball Z. I can remember hearing Ryo Horikawa and Masako
Nozawa through the clicks and pops. I knew how it made me feel. Add on the original
soundtrack, and I was in heaven. The nitty gritty, mono audio that came from
my television brought me into a new world.
Just hearing the new theme, and being a musician
myself, it makes me nervous. Not just because its a really bad rap song. But
because it isn't the original score. It's not Dragonball GT. You can copyright
it, sell it, juice it, box it, set it on fire and make Chris Sabat eat it. Its
not Dragonball GT. And that is what makes the fans upset. Because this new "music"
doesn't feel like Dragonball/Z/GT. I don't think the music card needs to be
played in an editorial again, we all have our preferences, mine just happenes
to favor the original.
Sound makes the world come alive. Sound gives
life to the cells of animation that scroll by 24 times a second. So maybe the
next time you pop in your favorate DVD, you'll make note to listen more carefully.